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Gladstone Gallery, New York / Brussels / Seoul Vitamin Creative Space, Guangzhou / Beijing Sprüth Magers, Berlin / London / Los Angeles Goodman Gallery, London / Johannesburg / Cape Town A star after an artist’s name indicates that the artist is not represented by any other gallery.) (Galleries that represent multiple artists are listed first.
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See the full list of galleries that represent the top 30 biennial artists below. But they are also not highly corporate operations with hundreds of staff members. To be fair, these galleries are hardly small outfits, with multiple locations and frequent appearances at fairs like Art Basel and Frieze. Instead, the top dealers are Mor Charpentier, König Galerie, and Tanya Bonakdar. Mega-galleries Pace, David Zwirner, and Gagosian are entirely absent.
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Our analysis of which dealers represent the top 30 biennial artists amounts to a very unexpected kind of power list. Cube Bikes - Lowest Prices and Free shipping available from the worlds largest online bike store - Chain Reaction Cycles. The Vienna Volksoper, or Peoples Opera, is Europes leading operetta house and Viennas largest theatre for opera, musicals, classical concerts and ballet. (One of the most exhibited biennial artists - the collective Forensic Architecture - does not work formally with any gallery at all.) Others are headquartered in cities as far-flung as Modica, Sicily Reykjavik, Iceland and Zuoz, Switzerland. The Symphonic Cube, released back in 2002, was one of the first packages to truly acknowledge the coming of age of orchestral samples, with a sample count that ran into the millions.
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There are more galleries on this list with locations in Paris than in New York. Vienna Symphonic Library affectionately known by the acronym VSL deserves a great deal of kudos for numerous innovations through the years. Perhaps unsurprisingly, then, these artists are often represented not by mega-galleries, but by smaller, less brand-name dealers with more geographic diversity than one might typically associate with the megawatt contemporary art market. Our examination of which artists have appeared in the most biennials over the past five years reveals that these international exhibitions constitute their own unique art world, largely distinct from the concerns of the art market and even museums.